Fedora’s User and Developers Conference. For those that don’t know.

It was last week, so I am a little late on my report of it. Not that anyone cares in my private little hole here. As the every so annoying average Joe at the event, it was interesting. I have been in places with lots of people, I have seen many things in life and in software, but truth is that I have yet to see something like FUDCon.
The thing that I think that gets me the most is that most of the gathers at FUDCon are very much passionate about everything to do with Fedora. I am not talking mindless, zealous passion however… I am talking of a honest, open, very most excited love of the distribution and linux in general but in a way that doesn’t blind one to it’s issue and area’s in which Fedora (or Linux as a whole) lacks. It the kind of temperament that was awe inspiring, can (and maybe has) filled some with a twing of jealousy, and it a little intimidating…

I met with a many people, discussed many subjects. All in all, the experience has the feeling of something life long and changing. It something that I can’t say is known to other aspects of the software industry, even the ever loved gaming sector has been overwhelmed to it’s own hubris to a degree. Here, there is only drive to make Fedora better, passion that it gives one something that can’t be found else where. To say that I VERY MUCH want to be a part of something (which to me seems filled with something full of substance) like this, is an understatement.

I must thank AdamW for putting up with my tardiness, Mairin for somehow dealing with me being a bit of a gushing fanboi (yes, poor form for me, I know), Jordon for being something of a entourage while I was their and Chris for the herculean task of managing most of FUDCon (with help I am sure).

If I am to make a suggestion, as a Torontonian and general user… if there is a thought of bring FUDCon back to Toronto (after maybe a year), I would more than welcome it. It was a blast, it gave me much to think about… and I am sure that the city would be better with more of that here.

Duv

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So after some work… got a new system to play with.

Basic Fedora install…. via a live CD.

Hibernation is sort of working, the kernel doesn’t panic but KMS might not be agreeing with the ATI card, casing Xorg to lock and crash… really, really hard. I might want to move into F12 as soon at stable drops to see if this is sorted.

Work has been tiring me out a bit, going to have to do a few practice runs on gcc.

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Well I have not been very active as of late. That has been due to a new job… that said, I’ll see if I can summarize a few things of the next day or so.

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I really can’t take these latest batch of Apple commercials.

They are slowing becoming more tongue and cheek, and say nothing about the systems involve… it becoming VERY insulting as a tech person.

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Four in the morning and I needed something to do
Not a big surprize but still… something to do

What Be Your Nerd Type?
Your Result: Gamer/Computer Nerd
 

You enjoy the visual stimulants of a video game, chatting on AIM, or reading online comics. Most of these types of nerds are considered dirty who lack hygeine, of course they always end up being the ones who make a crapload of money. And don’t worry, that’s just a stereotype; I’m not calling you dirty. ^_~

Science/Math Nerd
 
Anime Nerd
 
Literature Nerd
 
Social Nerd
 
Drama Nerd
 
Artistic Nerd
 
Musician
 
What Be Your Nerd Type?
Quiz Created on GoToQuiz

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Hmmm… Given how we in canada tend to over look things…. Here is a though that should not be over looked.
http://tucowsinc.com/news/2009/08/copyrights-creative-disincentive/

I am slowly coming to the understanding that the Internet as a whole is always under constant siege. For it to continue to at the pace that it has… to even call yourself a “Citizen of the Internet”… you have to be involved in it’s continues progress. Some of the action is local, others are indeed global.

Duv

Well, it’s been a while… despite my advocacy moment, life has been fine.

Well not really… an close uncle to the family has died. It was shaker to a otherwise fine day, since this is something that cut’s deep in me.
Kind of a shame really, despite all his faults… I loved him very much. And as I said, he is close to me… I have quite a few memories of him, none bad (save this) so it hit the core a little.
Even now, I still feel a little shaky over it.

Aside from this, I am going to try to see if I can salvage a job prospect. I really want that position, it would be good for me to keep within the computing field as I sort out a few things for school. That is unless I decide to just jump back in at full force, uncle’s death as forced me to think about this a little since, I will admit that I take to him a lot.
A lot on the mind, a friend lost… this is going to be an interesting week.

Aside from that depressing news… I have to curl up to a rather large double helping of crow.
For a while, I have black-listed one anime show and wept at another. The black listing was founded, since the vitriol around it with fan was rather large.
The other was something that was hard to me to over looks it’s flaws… which I will explain, NOW.

So let’s Start with the first show… Demashita Powerpuff Girls Z.

Now, here is the funny thing. When I first saw this show, I was thrilled to see an adaption of Powerpuff Girls to the japanese market since I was a fan of PPG. Really I was, but then a few things started to rub me the wrong way when I began to watch it. They turned it into a true “Magical” Girl show in the same vain as Pretty Cure or Salior Moon, and some of the background to the girls is different (but to be honest, it was a very rough thing in the original so I could live with the changes), but the thing that made me stop it was the mud on a character that I loved in PPG.

Mojo Jojo.

Aside from the different background, he was maybe one of the brighter things in the original since the character was very smart and crazy cunning with a good wit on his lips with a VERY unique speech pattern that doesn’t lend itself to translation well, in PPGZ… him becoming this “standard idiot villain” made me want to cry.
So after that, I just stopped. I would not approach the show. I was butthurt over the whole affair of turning my favorite character into a walking dunce.

I blame maple for the rather genital push to get me to watch it again… It’s funny, the show has it’s own little charm, since it would seem that the director here carved out there own niche with it. I approached it as a straight adaption, you know… PPG in Japan… and I was wrong in doing so, there is much to like out of the show (once I could bare Mojo’s dumb down). I was surprised and it was very enjoyable.

YUM! One plate done, on to the last one and hoo boy it’s a big plate.
Code Geass: Lelouch of the Rebellion
This show was one of those cases where it was nothing to do with the production (aside the CLAMP designed characters, the design aren’t my taste but it was passable), it was the fan-base around it. In the animation circet, I have this theory that keeps being proven right with fan’s of anything. Sometime it’s the fan’s that can turn one off of a production and Geass is a show falls into this trap of the anime fandom… where some fan’s have so much damn zeal about a production, it’s really hard not to sneer at it since it is fawned over by (apparent) idiots.

Let’s put one thing to bed right there, they are not idiot’s… completely. After watching the show’s two seasons, I can see what people like about it. The characters are unique, the action is a cut above, the mecha… delicious, the plot was complex and something different.
But MAN, does it got issues that keep it from becoming a instant classic (or becoming a classic with time in general). The action takes a HEAVY nose dive in the second season (through, that last episode save it a bit… it’s a cut above both seasons and the two main robots, both, get brought back down to base right when it counts the most during a nail biting fight. You just don’t see that often in mecha [or anime in general]… I just wished it ended there) , and suffers greatly from “’strike’ a pose” syndrome. The characters, well… some of them (one of the main characters in particular) doesn’t grow like they did in the first season and even then it’s a bit sparse on the character development. The plot dynamic’s (the shows major hook) falls by the way side completely mid way into the second season, but then when you consider that it got needless complex with some add-on characters, time-skipping and a needless habit to keep pushing back to the setting of the school for no real reason… the plot decay of this magnitude is reasonable, just disappointing.
Did I enjoy it, Yes… more than I did with Gundam 00, which was MUCH more disappointing for much of the same reasons as pointed to above with a few other things on top of it. R2 (what Geass calls it’s second season) is quite the artful train-wreck, which is disappointing, unexpected … and the parallels to the same issues that plagued Gundam 00 production in the second season are uncanny. They are the exact same, through to be far, their is more on 00’s plate of shame… it’s just the big issues that plague both Geass and 00’s are the exact same so it is still rather startling to watch it all crumble like that.

I am torn, it hard to not like Geass. It tries very hard to be something fresh and different… to deliver something that the viewer might not have seen before (or hasn’t in a LONG time). And it is successful on those merits…
But yes, much like anyone whom watched it will tell you… R2 is very much a train-wreck of much of what it tries to accomplish. It degrades itself to a mecha show that goes by-the-numbers, or seems to lose as many plot hooks that it managed to create with characters that do get static. It does get bad, but as I said… it’s a artful train-wreck, as big as the problems were it’s not something that took much away from the show, just a lot of the impact it had but hey it was damn pretty to see it.

Duv

To my Uncle Lindon, may you finally have some rest.

“And the Battle rages”
(For disclose sake, I use Linux and am bias over anything in the Open Source realm in general. To sum it up, I love the stuff… why, is simple… it grants me POWER to do as I wish with it. It is a “double edge sword that cuts both ways” but for the most part I am in favor of Open Source Technologies. I will try to keep from preaching to the choir, and ask that you notice that most of what I have stated is in the realm of opinion and personal experience unless noted otherwise by links. AND I’m so not a laywer, don’t use me as legal advice)

You know it is funny, two things that seem to be equally as disruptive as the internet have little to do with it. I speak of audio (say like… music) and video. It been noted countless of times that the potential of this two aspects of our understand of the world have are endless. And so there has always been this rather interesting idea to try and reflect this on the internet, why… because it can be done, which tends to reflect the way the internet encapsulates human nature in general.

So a rather small thing happen that has since ballooned into this raging debate. The small thing, the ability to embed a audio file and a video file directly on a web page. Why is this is important… it is something that we never really got with existing methods, video and audio (especially audio) has always lived in this odd cage when you want the web to be interactive mostly through plug-ins. Given that the Web standards was slowly becoming giving people the ability to have an interactive site, it was inevitable that audio and video would need to be embedded in a manner that is standardized for the sake of interaction web defined objects.
If you are lost, just think of it like this… people where slowly crying for the web to be like Flash Player, without the need of Adobe’s Flash Player to do it, with little knowledge of it. The web would be this completely interactive thing that anyone with a web browser could use and, more importantly, it would belong to no-one and everyone to implement, share and use.

The problem came with something that needed to be addressed with the addition of these tags (named <audio> and <video> respectively), the audio and video codec’s to be used with the tags as a baseline codec’s. The tags that would addressed the embedding and making the codec’s a part of the standard would give vendors a means of interoperability (a word that means many things to many people, but basically it is the means of interchange of information with little to no difference in said information between two differently programmed programs… that is my definition of it anyway). At the time, it was suggested that OGG Vorbis(along with Wave PCM [a .wav file]) and OGG Theroa would be a requirement to use the tags, on the <video> side of it someone screamed sacrilege.
Well in this case it was two companies that did, Apple Inc. and Nokia Corp. Nokia is interesting in that they did buyout an open-sourced company (namely Trolltech, which they renamed to QT Technologies) and seem to be adapting it to many of it assets to the company, and given the another Open Source assets that they do control… the fact that they raised the objection and have none nothing more is a little surprising. Apple, on the other hand, clearly has some vested interest in the manner with the iPhone(and iPod/iPod Touch) and it’s wealth in iTunes. It is an objection that they have raised for any time the subject seem to come up, and have suggested another format (namely Mpeg-4’s H.264 format, all of there devices happens to use the codec and iTunes happens to give in said codec) to become the standard in which WHATWG (and W3C by extension) should support.
Since then, some lines in have been drawn in the HTML5 sand… Mozilla Foundation and Opera Software ASA have thrown in OGG support (through only Mozilla has released such so far with Mozilla Firefox 3.5, Opera is reportively got it [for video- namely Theora] working in beta’s of 10), Google has gone on record to say that they will support H.264 and the OGG formats (OGG has been done, the code in in the development release of Chromium, which is the Webkit-based render used in Chome. H.264 is likely to be available only for those that use the final release of Chorme 3.0 ONLY with those that use Chromium having just OGG playback due to patent issues), Apple has continued to work with H.264 exclusively and Nokia (for now) has done and said little else since, Microsoft has not stepped into this ring but there is three likely outcomes from my POV (Silverlight [or any of there own video/audio formats] is extended to handle video/audio playback which would be the same senerio that we have currently with Flash but from a different vendor, they opt-out of <audio> and <video> completely, toss in full OGG support like Opera and Mozilla have done). The OGG formats (Vorbis and Theora) have been written out of HTML5’s spec (which is still in drafting stage) and given the technical talk around WHAT and W3C, it’s very likely that it will stay that way. But Apple’s push for H.264 never really worked, since for now… NO codec has been specified for <video> as a baseline. On the <audio> end of the debate, Vorbis has been written out and Wave PCM is the only thing suggested currently (which I don’t mine, nor to the Vendors) BUT due to Wave’s is notoriously large file size… divides over OGG Vorbis, MP4 (including the AAC formats), and MP3 will continue for something more capable… if only in the shadow of the <video> debates.

Now interestingly the Cult of Mac Fan’s is not to blame for the heavy (and that is something of an understatement) of the debate that has been raised. It the technical community in general. One of the two things against Theora is the quality of the video format, which I will say isn’t great at the moment… but considering that we do live with less in what we have currently (Youtube and Flash), it something that can be argued and it is something that is, I find, improving. The other is the lack of hardware encoders, which is something that may or may not improve with time. It really a matter of manufacturers will to do so (and invest the time and money). The things against Vorbis, I see as manly a lack of will… there are quite a few OGG players out there (though most don’t advertise this fact) and there is a spec for an hardware encoder.
The major problem that I have with the MPEG-4 formats in general is this… Legally, they are landmine, waiting to go off and spoil it for everyone. It’s is something that has happened before with the patented nature of MPEG formats, MPEG-1 Audio Layer 3 (known to most as MP3’s) history is a nasty tale of the cocktail this can and has been. MPEG-4 does a little worse than MPEG-1 Audio Layer 3 on this matter when you look at:
1) the controlling entity of MPEG-4 patents (and MPEG-2, tech around Blu-ray [sans the Java stack], VC-1, etc.) is company known as MPEG-LA, a company that has no association with ISO or MPEG (Moving Picture Experts Group), and is a conglomerate of the other patent holders.
2) MPEG-LA doesn’t own all the patents in MPEG’s pool of technologies, therefore members in it’s membership are not protected completely from litigation (Microsoft has a little story of what happens when you are sue by such people [called patent trolls when all they have is the patent in question]. In court, one said company was granted the reward of 1 billion dollars for MP3 playback in Windows XP from MS for a violation of a number of patents. They appealed and won… but it is still very stark reminder to be careful of such people and companies with any technology). On top of this, if you fall out side of MPEG-LA’s membership and use any of their patents, they will defend them… meaning that you will be dragged into court if you use an encoder/decoder that MPEG-4
3) This document right here sums up the rest of my opinion over MPEG-4 problems. Note the term “content providers” now add it something like YouTube… you begin to see a major problem with AVC/H.264.
The rest of the issues that I have are massively technical, but the biggest is CPU power. Hardware decoders and Mutli-core CPU’s has helped mitigate this but the nasty truth is that H.264 on it’s own uses a massive amount of CPU cycles, for just decoding a video stream. Add in the wild nature of the internet and bitrate levels, you have a nasty cocktail for performance…. which is particular for small devices (Cell phones, net-books, etc.) which tend to use lower powered CPU’s

My opinion of this debate is this, somewhere along the lines, amiss the debate about quality and legalese… the point of the internet was lost. The internet, first and foremost exists to exchange data in a open manner… to communicate between points with data. That is it, there isn’t much mysticism about it… it’s like talking to a person, or reading a book, it’s a VERY basic and often overlooked requirement. The point of the internet, like it or not, is to communicate… to convey information, and now that information is being stored in Video and Audio files doesn’t make it’s special. It means that much like text, it’s just data to be displayed, which in turn is used and shared (and can be the stepping stone to do things like it and/or modify the format)…. the first format that grant’s web designers this is the first to the post, and generally dictates the path of technology.
This is the problem, there is such a heightened value of video and audio that it’s created this cloud that values the format more than the content inside the format, and that those that control the format, make the money. I was debating this around the web-sphere (interwebz to some of you) and my conclusion among the many post is the same, video and audio need to be dumb-ed down to things like text to make more money out of it and to make it more useful to the many people that continue to use the internet.
Google is a prime example of this, with Adsense, and how much it’s grown the company gown with monetizing text ads. Before Google came, almost ad services where all flashy images in the way of billboards in Las Vagas… a lot of noise, little in context. Google made that has changed the way we see ads, and odd has made it more meaning full (since you only get so many words to convey a point).
This is that braking point for video and audio, to make it a general object of the web or to keep things the way that they are. And this is where the baseline codec’s come in, by stating one all those that don’t conform to using the baseline can’t call themselves part of the standard. On the Web, any browser that bends or brakes standards is frown badly upon (you can see lot of this in the continuing campaign to stop others from using Internet Explorer 6). But to do this, Open Source must be the starting point for any codec to be used. It something that even W3C is very aware of of this point… so much so that anything that doesn’t confirm to their policy is something of a non-starter, most Open Source Licenses do confirm to this almost by accident (The BSD license is used with the OGG formats save Drac, which uses something else).

It makes one wonder why the debate started, since H.264 is a nasty replacement that reminds me of the chaos that ensued with MP3’s during the Naspter years. To the point where no-one in there right mind would touch the technology for fear of being sue out of existence. It has happened before and with the amount of money that is being poured into H.264 it is very likely to happen again, throught I fear the payouts will be MUCH bigger. To add to this, H264 becoming a standard over the internet keeps others trying to being something like Youtube, since as “content providers” once would be oblgated to pay MPEG-LA (or it’s members) a very big royalty should they reach that size (if Youtube moves to H.264, they too will have this oblgation to fill).
Really if we are to accept that, something it very wrong at the core of the internet. As much as there is this big fear of submerine patents, that effects any and all technologies… OGG looks alot better since that is the only baggage that they got legally and the rule about handling them in the US is much like the “Fight Club” (through there is a reason for this, that is for anyone that is found to willingly violate a patent in the US will be penilized for triple the damages. Even if it’s for the sake of finding out if one has violated a patent to change it later… Indeed in the US, you DON’T talk about the “Fight Club”) . To me the OGG formats, as bad as Theora is, are the only way forward since they give vendors the ability to treat the internet as it has been…. by giving people the ability to implement, share and use without royalites to suck potential dry.

DuvJones

Let me also pick a bone of something that I have seen. Mozilla more or less displayed there options in the open… H.264 is a non-starter since there are many others in the downstream of Gecko that would twitch at being open to this kind of risk. For that, they have been canned for endlessly for adopting an “Theora or bust” position. The same Foundation/Corp that released Firefox 3.5 to the world, where one billion copies of it have been downloaded (and counting)… Mozilla as some big clout that should not be overlooked for being number two. For those that can them for taken a high road on this matter, all I can say it this… wait and see.

Gaming day wasn’t all that bad. Still feel a little guilty for having been the third wheel with some of my pals.

The gaming wasn’t all that bad, the atmosphere was good. It was crowded, so alas on of the bigger turn off was the massive amount’s of BO, even for me.

Was really liking the arcade stick, might consider one… seeing as I might get back into fighters as a semi-serious thing. But still, even good games is not enough to remove the self imposed boycott of this generation for home-consoles. It now comes down to the players, and sadly I am seeing the same line being drawn now as I did when I drop fighters as a serious thing.

Oh well, time to relax some and enjoy some Faiz and laundry.

Duv

Oh yeah, I am considering one thing. I am looking into this one odd thing that I have seen missing with art sites, something that game companies have only JUST begun to learn…. collaborating with the community that surrounds it has HUGE payoffs. Art sites seem to miss thing, or if they don’t collaborating isn’t one that big list of things to maintain. So I am looking into some tools, going to see if it can be ingrained in building & maintenance a site… allow people to talk and communicate with each other in such a way that it’s seamless to do on top of holding a portfolio for many artists.

We’ll see if I have any will to follow through with this.

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